![]() |
| Home
About Us
Visit
the Dressing Room
Learn
more about Fashion History
Contact Us |
![]() APRIL 26, 2011 Commission for a Marie Antoinette movie inspired Robe a la Polonaise |
The next commission on my agenda
is recreating the pale blue polonaise gown from Sophia Coppola's Marie
Antoinette. The award winning costumes in this film are gorgeous and
feminine and the color palette simply delectable! Some of my favorites
are the pale blue robe and the zone front gown. ![]() ![]() The cut of this dress will be based upon the blue polonaise but the fabric and color selection is based upon the pink closed robe. Thus, the final dress will be a matte pink satin taffeta polonaise. It will be worn over pocket hoops and a period corset. I am putting together the pocket hoops as well but not the corset. The corset has been commissioned elsewhere. I am very much looking forward to the challenge of this project. I have not had any 18th century commissions in quite some time and I am excited about revisiting this time period. Step 1: The initial muslin The first step in the construction of the Marie Antoinette gown is complete. After reviewing a variety of historical images, I devised a pattern that will be most appropriate for recreating the blue polonaise gown from Sophia Coppola's film Marie Antoinette. I am electing not to make this gown en fourreau. This will allow more control over the center back gathers as I want this area of the skirting to be quite full. Interestingly enough, 18th century gowns used minimal seaming in the construction of their bodices- electing instead to use a variety of tucks or pleats to fit the bodice to the curves of the upper body. The majority of these tucks appear at the back of the bodice. Finally, I took the muslin apart and used it as my final pattern. Included is a preview of the gorgeous pale pink dull luster satin taffeta I will be using for the final gown. ![]() Step
2: The Bodice construction
I have chosen to line the bodice with a very pale peach cotton broadcloth. For this gown, I used a heavier weight broadcloth because I wanted a lining that would hold its shape underneath the satin taffeta. I also applied some very light boning as shown in Janet Arnold's Patterns of Fashion. Beginnings of the Marie Antoinette film gown's final bodice: Ruching detail: Front and back Step 3: Completion of the Gown |
![]() ![]() |
|
![]() MAY 13, 2011 Marie Antoinette movie gown-pocket hoops |
And sew it begins! The first
stage of the Marie Antoinette [film] inspiration gown is complete! Here
are a few images of the completed pocket hoops. They are made of 100%
white cotton with 3 rows of buckram/steel wire boning. The waistband
closes at the back with a button. 18th century pocket hoops
The pockets collectively measure 20" across (each hoop is 10" wide) and
18" long. They are moderately sized pockets and will accommodate the
shape of the polonaise quite nicely.Embroidery detail of outside of
pocket/ Small opening at the top of the pocket allows the wearer
to stash away little necessities under the skirt |

This site and all its contents copyright
2000-Present
Susan
Whitfield Jarrett.
No unauthorized use any part of this site permitted
without
consent/ Digital Millennium Copyright Act.